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W・ベンヤミンの複製技術論 : 非アウラ的芸術成立の動因と映画論論考
https://junshin.repo.nii.ac.jp/records/189
https://junshin.repo.nii.ac.jp/records/189dc695980-9f24-4931-ae22-89b58efb0013
| Item type | 紀要論文 / Departmental Bulletin Paper(1) | |||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2017-11-10 | |||||||||||||
| タイトル | ||||||||||||||
| タイトル | W・ベンヤミンの複製技術論 : 非アウラ的芸術成立の動因と映画論論考 | |||||||||||||
| 言語 | ja | |||||||||||||
| 言語 | ||||||||||||||
| 言語 | jpn | |||||||||||||
| 資源タイプ | ||||||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||||
| 資源タイプ | departmental bulletin paper | |||||||||||||
| アクセス権 | ||||||||||||||
| アクセス権 | metadata only access | |||||||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_14cb | |||||||||||||
| その他（別言語等）のタイトル | ||||||||||||||
| その他のタイトル | Benjamin's Arts in the time of reproductive technology | |||||||||||||
| 言語 | en | |||||||||||||
| 著者 |
中西, 博之
× 中西, 博之
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| 抄録 | ||||||||||||||
| 内容記述タイプ | Abstract | |||||||||||||
| 内容記述 | 【Abstract】 This paper will examine Arts in the time of being able to reproduce things technologically, through the arguments in the books writen by Walter Benjamin.The Content of the arguments will relate to so-called "Anti-Aura" arts which evolved along side the big industrial processes in the latter half of the nine-teenth century. This term, "Anti-Aura" arts is indirectly used in the Benjamin's book and can be explained as "Arts in the time of reproductive technology". This term specifically characterizes the decades when the traditional arts were falling off in popularity, a historical situation which is termed, "the fall of Aura". This paper will discuss how technologically driven reproductive arts, those which contributed to the stagnation of the traditional arts such as film and photography, now widely influence the modern fine arts, as said modern fine arts always at least nominally include and artifical, technological means of reproduction. The most important among the several opinions regarding the film-technological relation is that the film has a film technological relation, which isi called, "the material arrangement of the things". This particular view-point promotes Anti-Aura in film. Thus, the people we see on screen are not people but materialistic reproductions of themselves. So the film has the excellent representation of materialistic descriptions just because of changing the human subjects, which have been authorized in every part of human activities, into the material objects. On these grounds, modern arts are reconstucting the new relationships between human activities, and a variety of other things. |
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| 書誌情報 |
ja : 純真紀要 en : Bulletin of Junshin Women's Junior College 号 47, p. 33-47, 発行日 2008-02-29 |
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| 出版者 | ||||||||||||||
| 出版者 | 純真女子短期大学 | |||||||||||||
| 言語 | ja | |||||||||||||
| ISSN | ||||||||||||||
| 収録物識別子タイプ | ISSN | |||||||||||||
| 収録物識別子 | 03855651 | |||||||||||||
| 書誌レコードID | ||||||||||||||
| 収録物識別子タイプ | NCID | |||||||||||||
| 収録物識別子 | AN0011314X | |||||||||||||
| 論文ID（NAID） | ||||||||||||||
| 関連タイプ | isIdenticalTo | |||||||||||||
| 識別子タイプ | NAID | |||||||||||||
| 関連識別子 | 40016100931 | |||||||||||||
| 権利 | ||||||||||||||
| 言語 | ja | |||||||||||||
| 権利情報 | 純真女子短期大学 | |||||||||||||
| フォーマット | ||||||||||||||
| 内容記述タイプ | Other | |||||||||||||
| 内容記述 | application/pdf | |||||||||||||
| 言語 | ja | |||||||||||||
| 著者版フラグ | ||||||||||||||
| 出版タイプ | VoR | |||||||||||||
| 出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 | |||||||||||||
